Wednesday, 30 November 2016

Job Roles in the Film Industry

Director – the director is responsible for overseeing the creative aspects of a film, including controlling the content and flow of the films plot, directing the performances of actors, organising and selecting the locations in which the film will be shot, and managing technical details such as the positioning of cameras, the use of lighting, and the timing and content of the films soundtrack. Though the director wields a great deal of power, they are ultimately subordinate to the film’s producer or producers. Some directors, especially more established ones, take on many of the roles of a producer.
Assistant director -  The role of an assistant director on a film includes tracking daily progress against the filming production schedule, arranging logistics, preparing daily call sheets, checking cast and crew, and maintaining order on the set. They also have to take care of the health and safety of the crew.
Producer – a film producer creates the conditions for making movies. The producer initiates, coordinates, supervises, and controls matters such as raising funding, hiring key people, and arranging for distributors. The producer is involved throughout all phases of the film making process from development to completion of a project.
Executive Producer – an executive producer is usually an investor in the project. There may be multiple executive producers on a project, depending on the financing arrangements.
Production manager – the production manager supervises the physical aspects of the production including the actors, technology, budget, and scheduling. It is the production managers responsibility to make sure the filming stays on schedule and on budget. The PM also helps manage the day-to-day budget by managing operating costs such as salaries, production costs, and everyday equipment rental costs. The PM often works under the supervision of a line producer and directly supervises the production co-ordinator.
Unit manager – the unit manager fulfills the same role as the production manager but for secondary “unity” shooting.
Production co-ordinator – the production co-ordinator is responsible for organizing all the logistics from hiring crew, renting equipment, and booking talent. The PC is an integral part of a film production.
Post-production supervisor – these are responsible for the post production process, during which they maintain clarity of information and good channels of communication between the producer, editor, supervising sound editor, the facilities companies (such as film labs, CGI studios and negative cutters) and the production accountant. Although this is not a creative role, it is pivotal in ensuring that the films post production budget is manageable and achievable, and that all deadlines are met. Because large amounts of money are involved, and most of a films budget is spent during production, the post production period can often be difficult and challenging.
First assistant director – The role of an assistant director on a film includes tracking daily progress against the filming production schedule, arranging logistics, preparing daily call sheets, checking cast and crew, and maintaining order on the set. They also have to take care of the health and safety of the crew.
Second assistant director - t he role of an assistant director on a film includes tracking daily progress against the filming production schedule, arranging logistics, preparing daily call sheets, checking cast and crew, and maintaining order on the set.
Production assistant - A production assistant, also known as a PA, is a member of the film crew and is a job title used in film making and television for a person responsible for various aspects of a production.
Script supervisor - A script supervisor (also called continuity supervisor) is a member of a film crew and oversees the continuity of the motion picture including wardrobe, props, set dressing, hair, makeup and the actions of the actors during a scene. ... They are also responsible to keep track of the film production unit's daily progress.
Stunt coordinator - A stunt coordinator, usually an experienced stunt performer, is hired by a TV, film or theatre director or Production Company for stunt casting that is to arrange the casting (stunt players and stunt doubles) and performance of stunts for a film, television programme or a live audience.
Casting director - the person responsible for assigning roles in a film or play.
Production designer - Production designers are responsible for the visual concept of a film, television or theatre production. They identify a design style for sets, locations, graphics, props, lighting, camera angles and costumes, while working closely with the director and producer.
Cast director - A casting director is sometimes assisted by a casting associate; productions with large numbers of extras may have their own extras casting director. The "CD" remains as a liaison between director, actors and their agents/managers and the studio/network to get the characters in the script cast.

Location manager - The location manager is a member of the film crew responsible for the finding and securing locations to be used, obtaining all needed fire, police and other governmental permits, and coordinating the logistics involved for the production to successfully complete its necessary work.

Tuesday, 29 November 2016


What have I learnt from mapping?


Mapping is something I have learnt during my AS Media course. Mappings are either at the beginning or end of a film and contain information such as; directors, producers, designer and photographers.

So far I have learnt that there is more work that goes into a film and a lot more people are involved than just the actors and director.  I have also discovered that when the credits are shown at the end, the cast of actors always come in a specific order and it is normally the actors who have a bigger role in the play appear first and all the actors who are less involved are at the bottom. The main actor’s names will always come up on their own before we have been shown the full cast list, and who did the casting. In all of my three films, there hasn’t only ben producers or directors there are always co-producers as well, who help contribute to the film.

Another few things I have learnt are that not only is there someone who comes up with all the music ideas, but there is also a separate person to edit the music and to supervise the music choices. There are designated people that design things like costume and production. I have found out that there is such thing as director of photography and I didn’t know that before.

From the Mappings of each film it has shown me that each piece of text on the screen should be there no longer than on average 7 seconds, unless it is the title of the film or the director’s name. I also noticed that most of the films I mapped where based on a book but the book was normally written by someone else, these pieces of text will stay in the shot for a little longer than the other pieces of text excluding the name of the Director and the title of the film.


Mappings have taught me that every film should have a minimum of 22 and a maximum of 26 titles that are in the sequence, for my film this may differ as I am unaware of how many actors I will have. 

Sunday, 27 November 2016

Research Questionnaire Analysis






Questionnaire 

Who do you usually watch films with?
Family
Friends
School mates
alone 
Which male actor would you most like to see in a film?
Leonardo Dicaprio
Jim Carrey
Tom Hardy
Johnny Depp
How much would you pay to watch a film in 4DX?
£5.00
£10.00
£15.00
I wouldn't pay
Which female actor would you most like to see in a film?
Jennifer Lawrence
Jennifer Aniston
Mila Kunis
Emma Watson
what makes you go to the cinema
day out with friends
easy to get to
food
school event
What is your Favourite Genre of film?
Romance
Action
Comedy
Horror
When you watch films what age certificate are they usually?
PG
12
15
18
How often do you watch films?
1 or more a week
1 or more a month
every few months
a few across the year
How do you usually watch films?
Netflix
TV planner
DVD
Cinema
What do you watch films on?
Phone
TV
Ipad
Computer

Friday, 25 November 2016

Safe Haven Mapping

     *   0:18 – Relativity media
     *   0:41 – Relativity Media presents
     *   0:49 – a Temple Hill entertainment
     *   0:59 – a Relativity Media production. In association with Nicholas                           Sparks production
     *   1:20 – a Lasse Hallstrom Film
     *   3:50 – Safe Haven
     *   4:14 – Julianne Hough
     *   4:27 – David Lyons
     *   4:32 - Noah Lomax. Mimi Kirkland
     *   4:37 – casting by Joanna Colbert C.S.A and Richard Mento C.S.A
     *   4:42 – costume designer Leigh Leverett
     *   4:50 – music supervisors Happy Waters and Bob Bowen
     *   4:55 – music by Deborah Lurie
     *   4:59 – edited by Andrew Mondshein A.C.E
     *   5:05 – production designer Kara Lindstrom
     *   5:24 – director of photography Terry Stacey A.S.C
     *   5:33 - line producer D. Scott Lumpkin
     *   5:40 – co-producers Kenneth Harsbond and Adam Fields
     *   5:50 – executive producers; Tucker Tooley, Ron Burke, Jason Colbeck,                   Robert Brenner, Shannon Gaulding and Tracey Nyberg
     *   5:53 – produced by Ryan Kavanaugh, Nicholas Sparks, Marty Bowen                     and Wyck Godfrey
     *   6:16 – based on the novel by Nicholas Sparks
     *   6:24 – screenplay Dana Stevens and Gage Lanksy

     *   6:42 – directed by Lasse Hallstrom 


Grown Ups 2 Mapping


  Ø 0:39 – a Happy Madison’s production
  Ø 0:42 – Grown Ups 2
  Ø 1:34:27 – directed by Dennis Dugan
  Ø 1:34:29 – written by; Fred wolf, Adam Sandler, Tim Herlihy
  Ø 1:34:32 – produced by Adam Sandler, Jack Giarraputo
  Ø 1:34:36 – executive producers, Barry Bernadi, Allen Covert
  Ø 1:34:38 – director of photography Theo Van De Sande, ASC
  Ø 1:34:40 – production designer Aaron Osbourne
  Ø 1:34:42 – editior Tom Costain
  Ø 1:34:45 – Adam Sandler
  Ø 1:34:48 – Kevin James
  Ø 1:34:51 – Chris Rock
  Ø 1:34:53 – David Spade
  Ø 1:34:55 – Salma Hayek
  Ø 1:34:58 – Maya Rudolph
  Ø 1:35:01 – Maria Bello
  Ø 1:35:03 – Mick Swardson, Colin Quinn
  Ø 1:35:06 – Tim Meadows, Shaquille O’Neal
  Ø 1:35:10 – Alexander Ludwig, Georgia Engel
  Ø 1:35:15 – casting by Roger Mussenden
  Ø 1:35:15 – music supervision by Michael Dilbeck, Brooks Arthur, Kevin Grady
  Ø 1:35:18 – music by Rupert Gregson-Williams
  Ø 1:35:21 – costume designer Ellen Lutter
  Ø 1:35:24 – co-producer Kevin Grady

  Ø 1:35:32 – listing of cast names and characters being to scroll through the screen

Endless Love Mapping

v      0:22 – universal. A Comcast company
v      0:27 – universal pictures presents
v      0:33 – a bluegrass films fake empire production
v      0:38 – endless love
v      1:39:31 – endless love
v      1:39:35 – directed by Shana Feste
v      1:39:39 – screenplay by Shana Feste and Joshua Safran
v      1:39:44 – based on the book by Scott Spencer
v      1:39:47 – produced by, Scott Stuber p.g.a, Pamela Abdy p.g.a, Josh Schwartz p.g.a, Stephanie Savage p.g.a
v      1:39:52 - Executive producers J. Miles Dale and Tracy Falco
v      1:39:56 - Director of photography Andrew Dunn b.s.c
v      1:40:00 - Production designer Clay Griffith
v      1:40:04 – editor Maryann Brandon a.c.e
v      1:40:08 – Alex Pettyfer
v      1:40:12 – Gabriella Wilde
v      1:40:16 – Bruce Greenwood
v      1:40:20 – Joely Richardson
v      1:40:24 – Robert Patrick
v      1:40:28 – Rhys Wakefield
v      1:40:32 – Dayo Okeniyi, Emma Rigby
v      1:40:36 – music by Christophe Beck
v      1:40:40 – music supervisor Randall Poster
v      1:40:44 – costume designer – Stacey Battat
v      1:40:48 – casting by Kim Davis-Wagner c.s.a, Justine Baddeley c.s.a

v       1:40:55 – cast list begins to scroll through the screen

Sunday, 20 November 2016



Safe Haven Opening Sequence Analysis



The establishing shot is a scenic view of a desolate house, very dull and dark colours. You then see a young girl Katie (Julianne Hough) sprinting away with a bag tied up in her hands. She is wearing a skin tight black dress with no shoes and running through the woods; from this we can assume that she is trying to escape something, but what we don’t know. Her facial expressions suggest that she is frightened of something. The fact she is running through woods with no shoes on and hardly any clothes with a carrier bag containing what looks like old or dirty clothes could suggest that she is not of high status or she would be wearing shoes and not alone of an evening running through woodlands. It is evident that she is a girl as she has long brown hair and looks like she is in her late twenties.

The first sound we hear is non-diegetic music that leaves you feeling suspicious, it suggest the genre could be action. We then hear the crash from her running through the wooden garden gates along with her heavy breathing. There is then a dogs bark in the distance whilst she is running through the town. She starts to cry as she is banging on what seems to be a close neighbour’s door. The next thing we see is an over the shoulder shot of what we gather is still Hough’s character. However, this time it appears that she had cut her hair and dyed it blonde and is wearing a grey hoodie with a brown coat. We can either say this is due to non-continuity editing or, from what we have seen, we can analyse that she is hiding her original identity to get away from something she has done. The suspicious music continues to play as she gets on a coach. We can hear voices but they are asynchronous as we can’t actually see the source it is coming from. Shortly after we see her running through the middle to get on her coach we see a man appear at a window holding up a picture of Hough’ character but of her with long brown hair, the man had seen her just not with that identity.

As she sits on the coach she pulls out what appears to be a bag of clothes from underneath her hoodie. The man searching for her is stopping all the coaches to inspect them; he is dressed in a smart suit with a long tailed coat. From this we can gather that he has more of an important job and he is of higher status than her. The fact he had the authority to stop the bus with his DCI badge, also supports that. Throughout all of this happening, the soundtrack is still playing.


It then changes into playing a calming song with a view of a sunny mountain side road. These non-diegetic asynchronous sounds suggest a genre of romance. The first lyrics of the song are; “if we could go anywhere, anywhere what would you see” this also gives a hint that she is escaping something. Her facial expressions have changed massively and she looks a lot calmer and happier with her new identity. 


Grown Ups 2 Opening Sequence Analysis


The establishing shot is a birds-eye view of what appears to be a town or city with a lot of greenery. It then merges into a wide view of a massive house with neatly trimmed plants and bushes outside. From the size and looks of the house we can analyse that these people are possibly very wealthy. It then goes into the house and we see Adam Sandler lying in bed, as he turns to his left we see a reindeer prodding him with his antlers. We then hear the crunching of the reindeer eating something from their bedroom side, at first is it asynchronous as we don’t actually see the reindeer eating it, we just assume. It then becomes synchronous sound as we can see where it’s coming from, it is also diegetic as the actors can hear the sound too.

The fact that one of the young boys screamed “can I ride him” when he sees the reindeer running through the house suggests a sense of vulnerability and the fact he thinks he can ride a reindeers shows his age and a boy’s imagination.

 Before we see the reindeer part, there is non-diegetic music playing in the background which sounds like calming and loving music, so we originally get a sense of a romantic genre. We hear the reindeer’s footsteps running all around the house with the screaming of all the family.

All of the characters are dressed in pyjamas so their costumes don’t really give off anything to do with status. However, we can tell which characters are male and which are female. There are three males and two females, the older male Lenny (Adam Sandler) has short hair is wearing knee length white shorts with a green t-shirt, the younger male also has a short haircut and is wearing shorts with a navy blue t-shirt. The final boy is standing in a towel with his shirt off. The two females are wearing what looks like night gowns. Another way we can differentiate between the fact that there are males and females is because at one stage, the characters throw laundry at the reindeer and a bra gets stuck on one of his antlers.


Although they have a big house which looks very clean, nothing else suggest that they are necessarily wealthy. 


Endless Love Opening Sequence Analysis


The establishing shot is a close up of a young, long haired blonde who seems to be at her graduation. As the camera zooms out we see people in the background wearing blue graduations gowns and hats. It is evident she is a female and we can gather she is considerably young to be only just graduating. 
The camera rolls over to Gabriella Wild standing in the middle of a crowd gripping tightly to her scroll. The fact that she is standing at her graduation suggests she is of high status as she has the money to go to university and the education to graduate. There was merge editing switching through from her to other people celebrating then back to her standing on her own. Throughout the first few minutes we hear the non-diegetic sound of a male voice, narrating his feelings to what we assume to be about Jade Butterfield (Gabriella Wilde). We then see a close up of this man (Alex Pettyfer). Everyone we are able to see looks smartly dressed.

Once the graduation is over, it rolls to the two boys at work. Their work place is a huge restaurant which looks very posh and people are dressed smartly, this could imply that they are of high status to be able to get a job in such a high place. It is evident that these two characters are boys from their tone of voice and their short haircut. There is a brand new car that drives round the corner as they speak and you can hear the tyres gliding across the tarmac. In the car, there are ‘Jade’ and her family. The fact it is such a new car also suggest that they are very wealthy. Both of the men are wearing nice new watches which could also imply they are from a wealthy background.


Throughout the opening scenes, there is constant murmuring in the background from other graduates and it is asynchronous as we cannot see who or where the sound is coming from. 

Saturday, 12 November 2016


Preliminary Task Reflection


During our group’s preliminary task, there were few things that worked considerably well and then other areas that need some improvement.

What went well was the fact we were all involved and we stuck to the criteria. We included the shot-reverse-shot and the match on action. It was only minimum dialogue so that it wasn’t hard to forget and get wrong. Hannah spoke quite loudly which meant we were able to hear her words clearly.

As a group we worked really well together during the course of filming this video. We all took on board what we had to do and acted upon it. We knew that this piece was worth 0 marks, or -15 if we didn’t do it. There was no point in us over complicating the story line or adding in anything extra during the editing process as this task was just to show our filming and editing skills and I think we were successful in doing so.

Within the group we designated roles to each person so they could prepare themselves and plan what they were going to do and how they were going to do it. Each of us had our own roles and although there were two people featuring, we both played different characters.

However, what didn’t go so well was; just before you see Hannah’s match on action, you see her paused where she was waiting for the camera to start recording again. To improve this next time we could crop the pause out or film more efficiently.

When I speak, you can’t actually hear everything I say apart from at the end. To prevent this from happening, next time I will make sure I talk a lot louder or make the surroundings quieter so am I able to be heard.

Another moment that needs improving is when Hannah walks through the door, her head is cut off. When we film next time we will make sure we are able to see her whole body at all times.

Just before you see the last reverse shot from me to Hannah, there is a flash of the end clip. This is from where it hasn’t been edited properly. For this to be improved we need to make sure that the slides we add into our videos are in the correct place and not jumping up half way through the video.

At the end of the video we are able to see me laugh even though I’m not meant to. To make sure this doesn’t happen we should either crop that end part off or re-film until it happens correctly. 

Overall, there were things that worked well for us but many areas for improvement. 

Tuesday, 8 November 2016

Preliminary task – Story Proposal

Premise: The continuing arguments and stress between three girls at work.

Narrative: HANNAH is beginning to get stressed out LEANNE because she cannot work with ELLIE. She finds ELLIE two faced, hard to work with and lazy. HANNAH then frantically rants to LEANNE about her inability to work with ELLIE, and tries to get LEANNE to guess what ELLIE has done this time. HANNAH comes running up the stairs and bangs open the door, as she approaches LEANNE she has complete shock on her face, but LEANNE already knows what HANNAH is about to say. They both begin to talk about ELLIE when the conversation between HANNAH and LEANNE is left on LEANNE telling HANNAH what ELLIE is doing is typical.

Theme: HANNAH’s problems arise when she doesn’t learn to accept ELLIE and the fact that people in the work place are different and they all have different ways of working rather than talking about her behind her back and causing more problems and stress for herself.

Format: a 30second introduction clip to AS media blogging and to be shown on everyone in the groups’ blogs.

Tone: The short clip is set at mid day in the classroom and aims to show the audience that HANNAH and LEANNE are talking about ELLIE and all the bad things she does (one example being two faced) but they’re two faced themselves by talking about behind her back. Moral of the story is two wrongs don’t make a right.


Character: Young woman aged around mid to late teens and should be quite girly and confrontational rather than being shy and hiding away. HG