Thursday, 22 December 2016

Costume Planning

In our opening title sequence, myself and Hannah are the antagonist. Therefore, we have decided to wear dark and manlike clothing. Hannah wears black trousers and a green coat and I wear black trousers and a navy hoodie. Although we are women, we thought we would dress similar to men as they are who people would normally expect to be the antagonist.  As we are doing a flip story, this means that Payman is the protagonist. His costume is black jeans with a casual black t-shirt.


All costumes are fairly simple but have been thoroughly thought about and have valid reasons as to why we chose these costumes. The costumes fit the characters descriptions well. 

LOCATION PLANNING FOR MAIN TASK



Saturday, 17 December 2016

Main task – Story Proposal

Premise: The flip story of two girls attacking and taking a boy in his own car!

Narrative: PAYMAN is a teenager minding his own business in the park when he realises he is being set up. LEANNE and HANNAH, two teenage girls decide to set PAYMAN up when they realise the value of his car and how badly they want it. They convince him into meeting them both on his own and begin their set up. It starts off by HANNAH meeting LEANNE who is waiting for her in the park. On her way to meeting LEANNE, HANNAH messages her to ensure everything is going to plan and they know exactly what to do. PAYMAN is seen walking into the park when HANNAH and LEANNE chase him being the two extreme psychos they are. All happens very quickly but is left on PAYMAN in his boot, who knows what happens next, it is all waiting to be revealed.

Theme: PAYMAN’S problems begin when he is too easily led by girls he believes he knows. He then continues to put himself in a situation he is not aware of and completely turns a blind eye to what could potentially happen. One man to evil girls, what could possibly go wrong?

Format: A 2 minute opening title sequence to be posted on blog of the AS media group.

Tone: The film is a flip story, everything you want and expect to happen, isn’t going to. Its set at mid-day, the attack happens in a local park, people are around but nobody speaks up. Everyone assumes two females one male, nothing will happen but nobody knows the flip to the story!


Character: Male actor would have to be a slim and fit boy who can portray no fear and confusion but only confidence, to then find the worst is about to happen.  Female actors need to be able to portray strength, and power. Showing they’re all for women and all for standing up strong when really that’s the easy cop out to being evil. 
Main Task Script


EXT. PARK

Two female antagonist searching for their revenge.


HANNAH:
(Phones anonymous person)
Hello. I’m here. Where are you?

LEANNE:
I’m here. I’m waiting.

(Two characters meet in the park)

HANNAH:
You know what we got to do.
(Camera reverses back to other character)
Shall we go?

PAYMAN:
Hi you alright?

HANNAH:
(Walks towards male character)
Hello are you ok?


*2 days later*

Thursday, 15 December 2016

MEDIA INTERVIEW


This is an interview I carried out in order to make my blog individual but to also have an outsiders opinion of our groups main task. This person has never studied media before and therefore has no major knowledge but does drama so she will understand plots and why we chose to do what we have.

Wednesday, 14 December 2016

INTERVIEW UPDATE

I am in the process of editing my footage for my interview based on the Main Task ideas before we filmed. I decided to do an interview for my blog as it will make my blog individual and stand out a little bit more. I also helped film for another person in my group and here is an image of them mid-filming.

Sunday, 11 December 2016


INTERVIEW QUESTIONS 

Here is an image of our interview plan. we decided to film a few interviews with people from outside of our Media class and ask them questions based on our Main Task. This will help me make my blog individual from any others. 


Saturday, 3 December 2016

BBFC Rating Research


By law in the UK all films have to have an age rating. The age rate films before they’re released in cinema, and the ratings range from U to 18. It is illegal for a company to try and sell films in cinema or DVD without the age rating sign being present. In theory anybody can watch a U/PG but if under 9 your parents/carers and teachers are encouraged to think carefully about if you do.

When going to watch a 12A, you can watch them if you’re over the age of 12 and if not for an adult to accompany you. This is set there for the adult to make the decision whether you watch anything disturbing or upsetting that could affect you, or they do not want you to see.

The BBFC first came around in the 20th century and was introduced by the film industry before big films came about so that the whole country chose an age rating and was aware of this. The local council of the cinema in your area can still ignore the BBFC rating presented for any film and make their own choice on what age can watch the film.

It is illegal for a company to show an animal being harmed in a movie due to the protection of animal’s law. Disturbing things such as something scary happening have to be noted down by the BBFC, or scenes that could show individuals how to commit a crime for example. Often before a film is finished being filmed the company will send it on to the BFFC for a pre published rating and if they believe it is too high they will remove certain scenes before the finish.
BBFC certificate rating for our film

Having done research into how the BBFC rate films and what the different age ratings there are, as a group we have made a decision based on what will feature in our opening title sequence that it should be rated a 12A due to slightly violent, and mature scenes.
With research to what we can feature in our opening title sequence being age rated a 12A we can include:
Discrimination Discriminatory language or behaviour must not be endorsed by the work as a whole. Aggressive discriminatory language or behaviour is unlikely to be acceptable unless clearly condemned.
Drugs Misuse of drugs must be infrequent and should not be glamorised or give instructional detail.
Imitable behaviour No promotion of potentially dangerous behaviour which children are likely to copy. No glamorisation of realistic or easily accessible weapons such as knives. No endorsement of anti-social behaviour.
Language There may be moderate language. Strong language may be permitted, depending on the manner in which it is used, who is using the language, its frequency within the work as a whole and any special contextual justification.
Nudity There may be nudity, but in a sexual context it must be brief and discreet.
Sex Sexual activity may be briefly and discreetly portrayed. Moderate sex references are permitted, but frequent crude references are unlikely to be acceptable.
Threat There may be moderate physical and psychological threat and horror sequences. Although some scenes may be disturbing, the overall tone should not be. Horror sequences should not be frequent or sustained.
Violence There may be moderate violence but it should not dwell on detail. There should be no emphasis on injuries or blood, but occasional gory moments may be permitted if justified by the context. Sexual violence may only be implied or briefly and discreetly indicated, and its depiction must be justified by context.

As a group we all have a clear understanding of the allowances for a 12A film, and can ensure we won’t include anything we aren’t allowed. As our genre is Action/Drama we will have mild scenes of threat and violence, but as I mentioned we are aware of the limits and what our target audience is. 

Wednesday, 30 November 2016

Job Roles in the Film Industry

Director – the director is responsible for overseeing the creative aspects of a film, including controlling the content and flow of the films plot, directing the performances of actors, organising and selecting the locations in which the film will be shot, and managing technical details such as the positioning of cameras, the use of lighting, and the timing and content of the films soundtrack. Though the director wields a great deal of power, they are ultimately subordinate to the film’s producer or producers. Some directors, especially more established ones, take on many of the roles of a producer.
Assistant director -  The role of an assistant director on a film includes tracking daily progress against the filming production schedule, arranging logistics, preparing daily call sheets, checking cast and crew, and maintaining order on the set. They also have to take care of the health and safety of the crew.
Producer – a film producer creates the conditions for making movies. The producer initiates, coordinates, supervises, and controls matters such as raising funding, hiring key people, and arranging for distributors. The producer is involved throughout all phases of the film making process from development to completion of a project.
Executive Producer – an executive producer is usually an investor in the project. There may be multiple executive producers on a project, depending on the financing arrangements.
Production manager – the production manager supervises the physical aspects of the production including the actors, technology, budget, and scheduling. It is the production managers responsibility to make sure the filming stays on schedule and on budget. The PM also helps manage the day-to-day budget by managing operating costs such as salaries, production costs, and everyday equipment rental costs. The PM often works under the supervision of a line producer and directly supervises the production co-ordinator.
Unit manager – the unit manager fulfills the same role as the production manager but for secondary “unity” shooting.
Production co-ordinator – the production co-ordinator is responsible for organizing all the logistics from hiring crew, renting equipment, and booking talent. The PC is an integral part of a film production.
Post-production supervisor – these are responsible for the post production process, during which they maintain clarity of information and good channels of communication between the producer, editor, supervising sound editor, the facilities companies (such as film labs, CGI studios and negative cutters) and the production accountant. Although this is not a creative role, it is pivotal in ensuring that the films post production budget is manageable and achievable, and that all deadlines are met. Because large amounts of money are involved, and most of a films budget is spent during production, the post production period can often be difficult and challenging.
First assistant director – The role of an assistant director on a film includes tracking daily progress against the filming production schedule, arranging logistics, preparing daily call sheets, checking cast and crew, and maintaining order on the set. They also have to take care of the health and safety of the crew.
Second assistant director - t he role of an assistant director on a film includes tracking daily progress against the filming production schedule, arranging logistics, preparing daily call sheets, checking cast and crew, and maintaining order on the set.
Production assistant - A production assistant, also known as a PA, is a member of the film crew and is a job title used in film making and television for a person responsible for various aspects of a production.
Script supervisor - A script supervisor (also called continuity supervisor) is a member of a film crew and oversees the continuity of the motion picture including wardrobe, props, set dressing, hair, makeup and the actions of the actors during a scene. ... They are also responsible to keep track of the film production unit's daily progress.
Stunt coordinator - A stunt coordinator, usually an experienced stunt performer, is hired by a TV, film or theatre director or Production Company for stunt casting that is to arrange the casting (stunt players and stunt doubles) and performance of stunts for a film, television programme or a live audience.
Casting director - the person responsible for assigning roles in a film or play.
Production designer - Production designers are responsible for the visual concept of a film, television or theatre production. They identify a design style for sets, locations, graphics, props, lighting, camera angles and costumes, while working closely with the director and producer.
Cast director - A casting director is sometimes assisted by a casting associate; productions with large numbers of extras may have their own extras casting director. The "CD" remains as a liaison between director, actors and their agents/managers and the studio/network to get the characters in the script cast.

Location manager - The location manager is a member of the film crew responsible for the finding and securing locations to be used, obtaining all needed fire, police and other governmental permits, and coordinating the logistics involved for the production to successfully complete its necessary work.

Tuesday, 29 November 2016


What have I learnt from mapping?


Mapping is something I have learnt during my AS Media course. Mappings are either at the beginning or end of a film and contain information such as; directors, producers, designer and photographers.

So far I have learnt that there is more work that goes into a film and a lot more people are involved than just the actors and director.  I have also discovered that when the credits are shown at the end, the cast of actors always come in a specific order and it is normally the actors who have a bigger role in the play appear first and all the actors who are less involved are at the bottom. The main actor’s names will always come up on their own before we have been shown the full cast list, and who did the casting. In all of my three films, there hasn’t only ben producers or directors there are always co-producers as well, who help contribute to the film.

Another few things I have learnt are that not only is there someone who comes up with all the music ideas, but there is also a separate person to edit the music and to supervise the music choices. There are designated people that design things like costume and production. I have found out that there is such thing as director of photography and I didn’t know that before.

From the Mappings of each film it has shown me that each piece of text on the screen should be there no longer than on average 7 seconds, unless it is the title of the film or the director’s name. I also noticed that most of the films I mapped where based on a book but the book was normally written by someone else, these pieces of text will stay in the shot for a little longer than the other pieces of text excluding the name of the Director and the title of the film.


Mappings have taught me that every film should have a minimum of 22 and a maximum of 26 titles that are in the sequence, for my film this may differ as I am unaware of how many actors I will have. 

Sunday, 27 November 2016

Research Questionnaire Analysis






Questionnaire 

Who do you usually watch films with?
Family
Friends
School mates
alone 
Which male actor would you most like to see in a film?
Leonardo Dicaprio
Jim Carrey
Tom Hardy
Johnny Depp
How much would you pay to watch a film in 4DX?
£5.00
£10.00
£15.00
I wouldn't pay
Which female actor would you most like to see in a film?
Jennifer Lawrence
Jennifer Aniston
Mila Kunis
Emma Watson
what makes you go to the cinema
day out with friends
easy to get to
food
school event
What is your Favourite Genre of film?
Romance
Action
Comedy
Horror
When you watch films what age certificate are they usually?
PG
12
15
18
How often do you watch films?
1 or more a week
1 or more a month
every few months
a few across the year
How do you usually watch films?
Netflix
TV planner
DVD
Cinema
What do you watch films on?
Phone
TV
Ipad
Computer

Friday, 25 November 2016

Safe Haven Mapping

     *   0:18 – Relativity media
     *   0:41 – Relativity Media presents
     *   0:49 – a Temple Hill entertainment
     *   0:59 – a Relativity Media production. In association with Nicholas                           Sparks production
     *   1:20 – a Lasse Hallstrom Film
     *   3:50 – Safe Haven
     *   4:14 – Julianne Hough
     *   4:27 – David Lyons
     *   4:32 - Noah Lomax. Mimi Kirkland
     *   4:37 – casting by Joanna Colbert C.S.A and Richard Mento C.S.A
     *   4:42 – costume designer Leigh Leverett
     *   4:50 – music supervisors Happy Waters and Bob Bowen
     *   4:55 – music by Deborah Lurie
     *   4:59 – edited by Andrew Mondshein A.C.E
     *   5:05 – production designer Kara Lindstrom
     *   5:24 – director of photography Terry Stacey A.S.C
     *   5:33 - line producer D. Scott Lumpkin
     *   5:40 – co-producers Kenneth Harsbond and Adam Fields
     *   5:50 – executive producers; Tucker Tooley, Ron Burke, Jason Colbeck,                   Robert Brenner, Shannon Gaulding and Tracey Nyberg
     *   5:53 – produced by Ryan Kavanaugh, Nicholas Sparks, Marty Bowen                     and Wyck Godfrey
     *   6:16 – based on the novel by Nicholas Sparks
     *   6:24 – screenplay Dana Stevens and Gage Lanksy

     *   6:42 – directed by Lasse Hallstrom 


Grown Ups 2 Mapping


  Ø 0:39 – a Happy Madison’s production
  Ø 0:42 – Grown Ups 2
  Ø 1:34:27 – directed by Dennis Dugan
  Ø 1:34:29 – written by; Fred wolf, Adam Sandler, Tim Herlihy
  Ø 1:34:32 – produced by Adam Sandler, Jack Giarraputo
  Ø 1:34:36 – executive producers, Barry Bernadi, Allen Covert
  Ø 1:34:38 – director of photography Theo Van De Sande, ASC
  Ø 1:34:40 – production designer Aaron Osbourne
  Ø 1:34:42 – editior Tom Costain
  Ø 1:34:45 – Adam Sandler
  Ø 1:34:48 – Kevin James
  Ø 1:34:51 – Chris Rock
  Ø 1:34:53 – David Spade
  Ø 1:34:55 – Salma Hayek
  Ø 1:34:58 – Maya Rudolph
  Ø 1:35:01 – Maria Bello
  Ø 1:35:03 – Mick Swardson, Colin Quinn
  Ø 1:35:06 – Tim Meadows, Shaquille O’Neal
  Ø 1:35:10 – Alexander Ludwig, Georgia Engel
  Ø 1:35:15 – casting by Roger Mussenden
  Ø 1:35:15 – music supervision by Michael Dilbeck, Brooks Arthur, Kevin Grady
  Ø 1:35:18 – music by Rupert Gregson-Williams
  Ø 1:35:21 – costume designer Ellen Lutter
  Ø 1:35:24 – co-producer Kevin Grady

  Ø 1:35:32 – listing of cast names and characters being to scroll through the screen

Endless Love Mapping

v      0:22 – universal. A Comcast company
v      0:27 – universal pictures presents
v      0:33 – a bluegrass films fake empire production
v      0:38 – endless love
v      1:39:31 – endless love
v      1:39:35 – directed by Shana Feste
v      1:39:39 – screenplay by Shana Feste and Joshua Safran
v      1:39:44 – based on the book by Scott Spencer
v      1:39:47 – produced by, Scott Stuber p.g.a, Pamela Abdy p.g.a, Josh Schwartz p.g.a, Stephanie Savage p.g.a
v      1:39:52 - Executive producers J. Miles Dale and Tracy Falco
v      1:39:56 - Director of photography Andrew Dunn b.s.c
v      1:40:00 - Production designer Clay Griffith
v      1:40:04 – editor Maryann Brandon a.c.e
v      1:40:08 – Alex Pettyfer
v      1:40:12 – Gabriella Wilde
v      1:40:16 – Bruce Greenwood
v      1:40:20 – Joely Richardson
v      1:40:24 – Robert Patrick
v      1:40:28 – Rhys Wakefield
v      1:40:32 – Dayo Okeniyi, Emma Rigby
v      1:40:36 – music by Christophe Beck
v      1:40:40 – music supervisor Randall Poster
v      1:40:44 – costume designer – Stacey Battat
v      1:40:48 – casting by Kim Davis-Wagner c.s.a, Justine Baddeley c.s.a

v       1:40:55 – cast list begins to scroll through the screen